  {"id":5106,"date":"2026-07-28T14:01:18","date_gmt":"2026-07-28T18:01:18","guid":{"rendered":"https:\/\/www.ramapo.edu\/holocaust\/?page_id=5106"},"modified":"2026-07-30T10:29:21","modified_gmt":"2026-07-30T14:29:21","slug":"landscape","status":"publish","type":"page","link":"https:\/\/www.ramapo.edu\/holocaust\/landscape\/","title":{"rendered":"The Landscape of our Memory (Exhibition)"},"content":{"rendered":"<h2>The Landscape of our Memory<\/h2>\n<h3><span style=\"color: #333333\">Gabriela Buli\u0161ov\u00e1 and Mark Isaac<\/span><\/h3>\n<p><strong><span style=\"color: #333333\">Kresge Gallery, Berrie Center, 69色情视频<br \/>\nSeptember 16 \u2013 December 4, 2026<\/span><\/strong><\/p>\n<p><em>An<\/em>\u00a0<em>exhibition commemorating the &#8220;Holocaust by Bullets&#8221; and its more than two million victims.<\/em><\/p>\n<hr \/>\n<div class=\"row colSet\">\n<div class=\"sColumn col-sm-12 col-md-12 \">\n<p><span style=\"color: #800000\"><strong>Opening Reception<br \/>\n<\/strong><\/span>Wed., Sep. 16, 5:00 \u2013 7:00 p.m.<br \/>\nKresge Gallery<\/p>\n<p><span style=\"color: #800000\"><strong>Informal Lecture<br \/>\n<\/strong><\/span>Thu., Sep. 17, 12:30 p.m.<br \/>\nAlder Theater<\/p>\n<p><span style=\"color: #800000\"><strong><span style=\"color: #333333\">Kresge Gallery Information<\/span><br \/>\n<\/strong><em>Free and open to the public<\/em><strong><br \/>\n<\/strong><\/span>Tue., Thur. &amp; Fri.: 1 \u2013 5 p.m.<br \/>\nWed.: 1 \u2013 7 p.m.<br \/>\nClosed Thanksgiving week<\/p>\n<p>More info: <a href=\"https:\/\/www.ramapo.edu\/berriecenter\/art-galleries\/kresge-pascal\/\" target=\"_blank\" rel=\"noopener\">69色情视频 Art Galleries<\/a><\/p>\n<\/div>\n<div class=\"sColumn col-sm-12 col-md-12 \">\n<div id=\"attachment_5123\" style=\"width: 271px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5123\" class=\"wp-image-5123 size-full\" src=\"https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.54-PM-e1785259869641.png\" alt=\"Black and white depiction of a tree (or set of trees) created by a collage of framed photos.\" width=\"261\" height=\"364\" srcset=\"https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.54-PM-e1785259869641.png 261w, https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.54-PM-e1785259869641-215x300.png 215w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/><p id=\"caption-attachment-5123\" class=\"wp-caption-text\">Witness and Living Memorial Tree<\/p><\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_5111\" style=\"width: 272px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5111\" class=\"wp-image-5111 size-full\" src=\"https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.47-PM-e1785259978684.png\" alt=\"Anthotype portrait. It is a face rendered in an almost hazy fashion on a burnt orange square.\" width=\"262\" height=\"397\" srcset=\"https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.47-PM-e1785259978684.png 262w, https:\/\/www.ramapo.edu\/holocaust\/wp-content\/uploads\/sites\/31\/2026\/07\/Screenshot-2026-07-28-at-12.51.47-PM-e1785259978684-198x300.png 198w\" sizes=\"auto, (max-width: 262px) 100vw, 262px\" \/><p id=\"caption-attachment-5111\" class=\"wp-caption-text\">Anthotype Portrait<\/p><\/div>\n<p class=\"p1\"><strong><i>The Landscape of our Memory <\/i><\/strong>is a haunting and original exhibition by Prague artists Gabriela Bulisova and Mark Isaac. It is part of a long-term project that addresses the \u201cHolocaust by bullets\u201d by commemorating the more than 2 million people who were murdered in or near their hometowns rather than in death camps. As every technique is rooted in the landscape, the project has an environmental sensibility that suggests a relationship between genocide and ecocide. (More on the <a href=\"https:\/\/www.bulisova-isaac.com\/the-landscape-of-our-memory\" target=\"_blank\" rel=\"noopener\">artists&#8217; website<\/a>).<\/p>\n<p style=\"text-align: center\">* * *<\/p>\n<p><span style=\"color: #333333\"><strong>Gabriela Buli\u0161ov\u00e1 and Mark Isaac are multidisciplinary artists who collaborate on intimate projects designed to bridge the gap between fine art and documentary practices.<\/strong><\/span><\/p>\n<div class=\"_4ORMAT_content_page_row _4ormat_sort_item _4ORMAT_module_layout_02 in-viewport\" data-content-module-id=\"15231679\" data-content-module-template-id=\"22\" data-content-module-unique-id=\"\" data-content-module-removable=\"true\" data-content-module-category=\"layout\">\n<div class=\"sixcol\">\n<div id=\"text_1\" class=\" \" data-editable-type=\"text\" data-force-html-mode=\"false\" data-id=\"253202090\" data-content-module-unique-id=\"\">\n<p>Their work includes still photography, video, writing, music and installation focused on the climate crisis, diversity, memory, trauma and reconciliation. Their commitment to these issues is fed by a passion to engender meaningful changes in policy. Among other awards, they have received four Fulbright grants to create projects on socially conscious issues around the world. Their diverse, in-depth projects have been exhibited in Canada, Cyprus, Finland, Siberia, Slovakia, South Korea, the United Kingdom, the United States, and Ukraine. Their writing, photographs, and video have also been published by The Daily Beast, Politico.eu, Smithsonian Magazine; National Geographic, ORF (Austrian television), and Narratively. <span style=\"color: #333333\">Buli\u0161ov\u00e1 and Isaac are founding members of the <\/span><a href=\"https:\/\/atlantika-collective.com\/\" target=\"_blank\" rel=\"noopener\">Atlantika Collective<\/a><span style=\"color: #333333\">. (<a href=\"https:\/\/www.bulisova-isaac.com\/the-landscape-of-our-memory\">From the artists&#8217; website<\/a>.)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><span style=\"color: #800000\"><strong>With Gratitude to our Co-Sponsors<\/strong><\/span><\/p>\n<ul>\n<li><a href=\"https:\/\/www.ramapo.edu\/holocaust\">Center for Holocaust and Genocide Studies<\/a>, 69色情视频<\/li>\n<li><a href=\"https:\/\/www.ramapo.edu\/berriecenter\/art-galleries\/\" target=\"_blank\" rel=\"noopener\">69色情视频 Art Galleries<\/a> and the <a href=\"https:\/\/www.ramapo.edu\/berriecenter\/\" target=\"_blank\" rel=\"noopener\">Berrie Center<\/a><\/li>\n<li><a href=\"https:\/\/stockton.edu\/holocaust-resource\/\">Sam &amp; Sara Schoffer Holocaust Resource Center<\/a>, Stockton University<\/li>\n<li><a href=\"https:\/\/stockton.edu\/art-gallery\/\">Stockton University Art Gallery<\/a><\/li>\n<\/ul>\n<hr \/>\n<p><strong>Remarks from Jacob Ari Labendz, CHGS Director<\/strong><\/p>\n<p style=\"text-align: center\"><i><span style=\"font-weight: 400\">\u201c&#8230; Cursed be the ground because of you; By toil shall you eat of it all the days of your life\u2026 until you return to the ground\u2014for from it you were taken. For dust you are, and to dust you shall return.\u201d <\/span><\/i><i><span style=\"font-weight: 400\">\u2013 Genesis 3:17-19\u00a0<\/span><\/i><\/p>\n<p style=\"text-align: center\"><i><span style=\"font-weight: 400\">\u201cWhat have you done? Hark, your brother\u2019s blood cries out to Me from the ground! Therefore, you shall be more cursed than the ground, which opened its mouth to receive your brother\u2019s blood from your hand. If you till the soil, it shall no longer yield its strength to you. You shall become a ceaseless wanderer on earth.\u201d <\/span><\/i><span style=\"font-weight: 400\">\u2013 Genesis 4:10-12*<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">The Landscape of our Memory<\/span><\/i><span style=\"font-weight: 400\"> questions the artificial separation of blood and soil. So too do the Edenic allegories, which open in divine harmony. We meet the earth as the material source of human life and the physical locus of its oblivion. The first humans\u2014the parents of us all\u2014achieve discernment, against their creator&#8217;s will. Humanity thus learns to distinguish (and therefore must choose) between good and evil, and between the necessity of life and inevitability of death. No longer in balance with nature, much less each other, we sweat against the land, suffer for new life, and fear for our earthen bodies. Terror leads Cain, the first human child, to murder his younger sibling. The latter\u2019s blood\u2014his lifeforce, in biblical terms\u2014calls to the heavens from the very earth into which it should have naturally returned. Human hands rent the vestiges of prelapsarian harmony, and so we carry the curse of alienation from the earth and each other.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">One by one, the Nazis and their collaborators shot to death over two-million Jews and members of other targeted minorities, notably Roma, as they built an empire of blood and soil across Eastern Europe. They sought to resolve existential fear by rendering humanity into distinct races arranged along a hierarchy of moral worth. The intimacy of these murders scarred the earth, like the mass graves they left behind. Generations later, they reveal Cain\u2019s lasting mark upon us.<\/span><\/p>\n<p><span style=\"font-weight: 400\">With <\/span><i><span style=\"font-weight: 400\">The Landscape of our Memory<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">Gabriela Buli\u0161ov\u00e1 and Mark Isaac offer stunning glimpses of reharmonization. They help us sense the blood that still calls out from the killing fields of the Holocaust, flows through nearby rivers, and whistles among trees that witness but cannot see. Anthotype victim portraits, created with flora from sites of mass murder, reterritorialize the dead and imbue earthen materials with lives cut short. Through the artists\u2019 edenic lens, genocide and ecocide appear almost indistinguishable. <\/span><i><span style=\"font-weight: 400\">The Landscape of our Memory<\/span><\/i><span style=\"font-weight: 400\"> points to the fundamental wholeness of our world and humanity, at a moment of profound rupture\u2014a reminder of the responsibility we collectively assumed when we endeavored, in our imperfection, to tell good from evil.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The Center for Holocaust and Genocide Studies at 69色情视频 of New Jersey (CHGS) is committed to helping its students and patrons approach humanity\u2019s greatest horrors through the arts. As the preeminent Holocaust scholar and survivor Yehuda Bauer (1926-2024) indicated in <\/span><i><span style=\"font-weight: 400\">Rethinking the Holocaust<\/span><\/i><span style=\"font-weight: 400\">, a handful of academic disciplines cannot fully satisfy our need to understand and work through the Holocaust (along with other genocides and mass atrocities). We also depend, he explains, upon the vision of the artist, the wisdom of the philosopher, and the care of the therapist. It is an honor to have worked with so many talented organizations and individuals to bring this exhibit to life. On behalf of CHGS, I would like to thank Gabriela Buli\u0161ov\u00e1 and Mark Isaac for their kindness, generosity, and cooperation, not to mention their artistry. We are grateful to Sydney Jenkins, Robert Modafferi, and the 69色情视频 Galleries. CHGS also owes special thanks to Irvin O. Moreno-Rodriguez and our colleagues at the Sara &amp; Sam Schoffer Holocaust Resource Center at Stockton University.\u00a0<\/span><\/p>\n<p>* Translation from the\u00a0<em>Revised JPS Edition\u00a0<\/em>(2023).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Landscape of our Memory Gabriela Buli\u0161ov\u00e1 and Mark Isaac Kresge Gallery, Berrie Center, 69色情视频 September 16 \u2013 December 4, 2026 An\u00a0exhibition commemorating the &#8220;Holocaust by Bullets&#8221; and its [&hellip;]<\/p>\n","protected":false},"author":938,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5106","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v21.5 (Yoast SEO v28.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The Landscape of our Memory (Exhibition) - Center for Holocaust and Genocide Studies (CHGS) || 69色情视频 of New Jersey<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ramapo.edu\/holocaust\/landscape\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Landscape of our Memory (Exhibition)\" \/>\n<meta property=\"og:description\" content=\"The Landscape of our Memory Gabriela Buli\u0161ov\u00e1 and Mark Isaac Kresge Gallery, Berrie Center, 69色情视频 September 16 \u2013 December 4, 2026 An\u00a0exhibition commemorating the &#8220;Holocaust by Bullets&#8221; 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