{"id":729,"date":"2015-06-11T16:05:49","date_gmt":"2015-06-11T20:05:49","guid":{"rendered":"http:\/\/www.ramapo.edu\/first-year\/?page_id=729"},"modified":"2026-06-16T11:10:41","modified_gmt":"2026-06-16T15:10:41","slug":"page-three","status":"publish","type":"page","link":"https:\/\/www.ramapo.edu\/first-year\/page-three\/","title":{"rendered":"FYS Courses by Topic and Section ID"},"content":{"rendered":"
< Back to All Courses<\/a><\/p>\n CRN: 41026<\/strong> This course is designed to introduce an appreciation of film as an art form. We will be discussing the artistic and technical choices filmmakers make in producing a film. We will be viewing some of the most highly acclaimed and respected films in history, giving the student a chance to analyze, critique, and discuss the films among their peers. We will view films from different genres to contrast and compare different styles of filmmaking.<\/p>\n CRN: 41027<\/strong> Economics, Business, and You introduces students to the fundamental principles of macroeconomics and microeconomics and explores the hidden forces shaping our world. Students examine how individuals, businesses, and governments respond to economic challenges and opportunities through topics such as inflation, unemployment, economic growth, market structures and competition, consumer behavior, and the role of fiscal and monetary policymakers, including Congress and the Federal Reserve. Through readings, discussion, analysis of historical and contemporary economic issues, research and reflective writing, and interactive simulations, students develop critical thinking, analytical reading, communication, decision-making, and economic reasoning skills while exploring the relationships among economic systems, businesses, and consumers. Designed for first-year students of all majors, the course provides a foundation for understanding how economic forces influence personal choices, business decisions, public policy, and broader societal outcomes in an interconnected and evolving economy.<\/p>\n CRN: 41028 This course will examine the historical and cultural oppression of the Ramapough Munsee Lenape Nation. Students will utilize videos, current events, guest speakers and text to gain firsthand knowledge of the stereotypes, as well as the culture and identity of the tribe. Students will be asked to explore their own identity and how it has shaped \/ is shaping their development. Students will also be required to attend activities outside of the classroom as part of their final grade.<\/p>\n CRN: 41029 What is the significance of museums today and how do they shape the experiences of diverse communities? Through readings and discussions about the history and changing roles of museums, museum visits, local case studies, and other reflective projects, this course will critically explore what learning science, history, art, and more might look like in museums and other cultural institutions. By looking at what learning might look like in these spaces, we can further understand and appreciate museums as spaces for observation, meaning-making, reflection, inquiry, as well as creative and critical thinking. We will also interrogate the complexities of the museum world by looking at current issues museums face as well as explore professional pathways within the field.<\/p>\n CRN: 41030 As wellness and preventive healthcare gain popularity, many people are turning to alternative medicine, either alongside or instead of Western treatments. This course explores practices such as herbal remedies, acupuncture, aromatherapy, yoga, hypnosis, and reiki, examining their effectiveness from both consumer and provider perspectives. Through hands-on experiences and analysis of primary sources, students will evaluate these approaches and develop informed opinions about alternative medicine.<\/p>\n CRN: 41031 From theme parks to streaming series and graphic novels, adaptation shapes how stories move across media and become cultural phenomena. In this course, students will examine literary works alongside their adaptations while exploring major theories of adaptation, audience reception, and mass consumerism. Through critical analysis and a culminating research project, students will identify the elements of successful adaptations and develop an original proposal for adapting a text of their own.<\/p>\n
\nMondays & Thursdays 4:10-5:50 pm
\nInstructor: <\/strong>Zach Bressler<\/strong><\/p>\nPeer Facilitator<\/h4>\n

Kenneth Francis<\/a><\/p><\/div> 
Logan Natale<\/a><\/p><\/div>\n<\/div><\/div>\n
\nMondays & Thursdays 4:10-5:50 pm
\nInstructor: <\/strong>Anthony Parisi<\/strong><\/p>\nPeer Facilitators<\/h4>\n

Chanel Taylor<\/a><\/p><\/div> 
Izzy Stevens<\/a><\/p><\/div> 
Natalie Brown<\/a><\/p><\/div>\n<\/div><\/div>\n
\nMondays, Wednesdays, & Thursdays 4:40-5:50 pm
\nInstructor: <\/strong>Ivy Payne<\/strong><\/p>\nPeer Facilitator<\/h4>\n

Manny Llamzon<\/a><\/p><\/div> 
Catalina Cucaz<\/a><\/p><\/div>\n<\/div><\/div>\n
\nMondays & Thursdays 6:05-7:45 pm
\nInstructor: <\/strong>John Sapida<\/strong><\/p>\nPeer Facilitator<\/h4>\n

Kayla Hurevitch<\/a><\/p><\/div> 
Abbey DeYoung<\/a><\/p><\/div>\n<\/div><\/div>\n
\nMondays & Thursdays 6:05-7:45 pm
\nInstructor: <\/strong>Kelsey Brentnall<\/strong><\/p>\nPeer Facilitator<\/h4>\n

Ai Tai<\/a><\/p><\/div> 
Daria Bregman<\/a><\/p><\/div>\n<\/div><\/div>\n
\nMondays & Thursdays 6:05-7:45 pm
\nInstructor: <\/strong>Elizabeth Santos<\/strong><\/p>\nPeer Facilitator<\/h4>\n